artist expanded
Nikolai Chernyshev and the Makovets Society
According to the artist’s testimony, the creation of the Makovets society in Moscow in 1921 (the initial name is “Art is life”) played a decisive role in its creative development. The activities of “Makovts” in the artistic life of the 1920s are associated primarily with Vasily Chekrygin. As for Chernyshev, he not only supported all the organizational initiatives of the group, as evidenced by the archive materials and diary entries of Nikolai Mikhailovich, which are kept in the artist’s family. It can be called one of the main “chroniclers” of society from the moment of its inception and until the time when it ceased to exist. Continue reading
Masterpieces of Russian graphics from the collection of the State Historical Museum in the Tretyakov Gallery
The graphic collection of the Historical Museum (GIM) is extensive and diverse. It allows you to trace the development of the Russian drawing school from its inception in the XVIII century to the end of the XIX century. The collection is notable for its diversity, explicable aspiration of the founders of the museum to reflect not only the main artistic processes, but also the phenomena of court culture, aestheticized nobility. The basic principle of GIM acquisition is the interest in important events in the history of the country, portraits of iconic people, and the specific iconography of the two capitals. When selecting the exhibits, the curators sought, on the one hand, to reflect the structure and features of the museum collection, on the other – by the example of the best works to present an exceptional level of graphic culture in Russia of the late XVIII-XIX centuries. Continue reading
THE COLLECTION OF THE ICON-COPY OF YAROSLAVL ART MUSEUM
The beginning of the collection of icons was laid by the Yaroslavl Restoration Commission, established in 1918 (since 1924, the Yaroslavl branch of the GRGR). One of the main goals set before the commission was overcoming the consequences of the White Guard uprising that occurred in the summer of 1918. During its suppression, artillery hit the city in direct fire, and many architectural monuments were destroyed or badly damaged. Supervised by YAO TsGRM PD Baranovsky, the work on the restoration of icon painting was headed by N.I. Bryagin. A large role in saving the monuments of Yaroslavl was played by A.I. Anisimov, scientific adviser of the Central State Research Center, professor of Moscow and Yaroslavl universities. It Anisimov insisted on the removal of the most valuable monuments of easel painting from the churches and placing them in the restoration workshop of Yaroslavl to strengthen. Continue reading
