It is enough to recall the names of Giorgione and Titian, Veronese and Tintoretto, and it becomes clear what a bright and beautiful page in the art of the Renaissance was the painting of Venice. In a politically fragmented Italy, each city was an independent state, and its artistic culture had a special character, its own unique features. Historical destinies, social structure, natural conditions, way of life, everyday and cultural traditions determined the originality of the art of a particular center. Continue reading
Teaching painting begins with the education of the ability to see. But isn’t everyone seeing the same? Naturally, people without visual defects, in the physical sense, see the same. However, you can watch and not see.
N. P. Krymov tells how M. A. Vrubel was returning from a walk in Abramtsevo. It was dusk, the moon was rising. And he came across an old mossy birch stump. Vrubel’s companions passed by, and on the very next day he began and ended his famous “Pan” soon. Continue reading
Artists see the world in different ways, each depicting what he sees in his own way, conveying the many colors of nature and unusual characters. And sometimes they dream to express even something abstract: the life of the human spirit. Pavel Dmitrievich Korin sought to “reflect the disobedient, proud spirit of our people.” And he painted landscapes of his native Palekh, portraits of people unknown and famous, never tired of searching in their destinies, manifestations of the “spirit of the people”. Among these works, a special place is occupied by the “Portrait of Marshal G. K. Zhukov”. And even the creation of the canvas is an instructive event. Continue reading