“An artist with brilliant talent and good means ...”
The exact date of the appearance of F. Moller in the class of historical painting…

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"The Conspiracy of Claudius Civilis" by Rembrandt
A prominent place in Rembrandt’s painting is taken by the painting “The Claudius Civilis Conspiracy”,…

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Syrian landscapes
Most of the landscape compositions by Syrian artists are devoted to old Damascus and the…

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ICON

Masterpieces of Russian graphics from the collection of the State Historical Museum in the Tretyakov Gallery

The graphic collection of the Historical Museum (GIM) is extensive and diverse. It allows you to trace the development of the Russian drawing school from its inception in the XVIII century to the end of the XIX century. The collection is notable for its diversity, explicable aspiration of the founders of the museum to reflect not only the main artistic processes, but also the phenomena of court culture, aestheticized nobility. The basic principle of GIM acquisition is the interest in important events in the history of the country, portraits of iconic people, and the specific iconography of the two capitals. When selecting the exhibits, the curators sought, on the one hand, to reflect the structure and features of the museum collection, on the other – by the example of the best works to present an exceptional level of graphic culture in Russia of the late XVIII-XIX centuries. Continue reading

THE COLLECTION OF THE ICON-COPY OF YAROSLAVL ART MUSEUM

The beginning of the collection of icons was laid by the Yaroslavl Restoration Commission, established in 1918 (since 1924, the Yaroslavl branch of the GRGR). One of the main goals set before the commission was overcoming the consequences of the White Guard uprising that occurred in the summer of 1918. During its suppression, artillery hit the city in direct fire, and many architectural monuments were destroyed or badly damaged. Supervised by YAO TsGRM PD Baranovsky, the work on the restoration of icon painting was headed by N.I. Bryagin. A large role in saving the monuments of Yaroslavl was played by A.I. Anisimov, scientific adviser of the Central State Research Center, professor of Moscow and Yaroslavl universities. It Anisimov insisted on the removal of the most valuable monuments of easel painting from the churches and placing them in the restoration workshop of Yaroslavl to strengthen. Continue reading

Nikolai Chernyshev and the Makovets Society
According to the artist’s testimony, the creation of the Makovets society in Moscow in 1921…

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ROKOTOV - GEYNSBORO: "THE POETS OF THE HUMAN FACE"
Thomas Gainsborough was ten years older than Rokotov. He was born in 1727 in the…

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A brief history of the landscape in painting
The first drawings that were made by man have been known since primitive times, and…

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