HISTORY OF ONE PICTURE
A bright representative of the "Moscow school of painting", since 1895 a member of the Association of Traveling Art Exhibitions (TPCM), A.M. Korin equally fully expressed himself in different genres:…

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Nikolai Tomsky. Soviet sculpture.
People's Artist of the USSR Nikolai Vasilyevich Tomsky is one of the outstanding masters of the fine arts of the Soviet era. Nikolai Vasilyevich Tomsky was born on December 19,…

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George Nyssky. Laconic and poetic landscapes of the 20th century.
Planes fly over the fields. The locomotives run along the paths. Ships and yachts cut the waves. The highway is calling for a way. And next to them quiet spruces…

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ICON

Masterpieces of Russian graphics from the collection of the State Historical Museum in the Tretyakov Gallery

The graphic collection of the Historical Museum (GIM) is extensive and diverse. It allows you to trace the development of the Russian drawing school from its inception in the XVIII century to the end of the XIX century. The collection is notable for its diversity, explicable aspiration of the founders of the museum to reflect not only the main artistic processes, but also the phenomena of court culture, aestheticized nobility. The basic principle of GIM acquisition is the interest in important events in the history of the country, portraits of iconic people, and the specific iconography of the two capitals. When selecting the exhibits, the curators sought, on the one hand, to reflect the structure and features of the museum collection, on the other – by the example of the best works to present an exceptional level of graphic culture in Russia of the late XVIII-XIX centuries. Continue reading

THE COLLECTION OF THE ICON-COPY OF YAROSLAVL ART MUSEUM

The beginning of the collection of icons was laid by the Yaroslavl Restoration Commission, established in 1918 (since 1924, the Yaroslavl branch of the GRGR). One of the main goals set before the commission was overcoming the consequences of the White Guard uprising that occurred in the summer of 1918. During its suppression, artillery hit the city in direct fire, and many architectural monuments were destroyed or badly damaged. Supervised by YAO TsGRM PD Baranovsky, the work on the restoration of icon painting was headed by N.I. Bryagin. A large role in saving the monuments of Yaroslavl was played by A.I. Anisimov, scientific adviser of the Central State Research Center, professor of Moscow and Yaroslavl universities. It Anisimov insisted on the removal of the most valuable monuments of easel painting from the churches and placing them in the restoration workshop of Yaroslavl to strengthen. Continue reading

“Denial of confession” by Ilya Repin
Repin wrote people turned into cattle, barge haulers pulling barges along the river. Dared to write the Russian tsar, who killed his own son. Reflecting on the history of his…

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Realistic landscapes by Ed Rocher
For more than three decades, an internationally known contemporary artist from Canada, Ed Roche, has created extraordinary masterpieces that evoke a wide range of feelings, memories and emotions in the…

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“An artist with brilliant talent and good means ...”
The exact date of the appearance of F. Moller in the class of historical painting of Professor K. Bryullov is unknown. The first mention of the contacts of the master…

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