Monthly Archives: November 2018
“Denial of confession” by Ilya Repin
Repin wrote people turned into cattle, barge haulers pulling barges along the river. Dared to write the Russian tsar, who killed his own son. Reflecting on the history of his country, he portrayed the Cossacks, who “throughout life” remained free. He lovingly and carefully created portraits of the raging Vladimir Stasov, the great Leo Tolstoy and the leader of the Itinerants, Ivan Kramskoy.
More than once Repin returned to two themes that troubled the soul: the church and its disastrous role in Russian society, the image of a man who defiantly challenged it and the autocracy. Continue reading
The Unknown by Ivan Kramskoy
At the end of the 1860s, at the time of the founding of the Association of Traveling Art Exhibitions, a curious incident occurred in the workshop of Artel artists. He was described by I. E. Repin in the book “Far near”: “One morning, on Sunday, I came to Kramskoy … From a troi-sledge that arrived, a group of artel artists-artists with cold frost on fur coats fell into the house beautiful woman I was just dumbfounded by this wondrous face, the growth and all proportions of the black-eyed brunette’s body … In the general turmoil, the chairs quickly boomed, easels moved, and the general hall quickly turned into a study class. They set the beauty on an elevation … Continue reading
“The Conspiracy of Claudius Civilis” by Rembrandt
A prominent place in Rembrandt’s painting is taken by the painting “The Claudius Civilis Conspiracy”, created in 1661. This creation was destined to play a very special role in the whole of Western European painting of the seventeenth century.
A number of reasons contributed to this. First of all, the unusual task of the artist. Rembrandt, whose activities developed in the field of easel paintings, by the conditions of the order was put before the need to create a work of monumental painting. Continue reading
