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P.M. Tretyakov and his portrait gallery
Conceived as a “gallery in a gallery”, the portrait gallery of Pavel Mikhailovich Tretyakov (1832–1898) is a significant artistic phenomenon of the national culture of the second half of the 19th century. None of the researchers who wrote about the collection activities of the founder of the gallery, did not overlook the collection of portraits, and could not get around. Continue reading
ROKOTOV – GEYNSBORO: “THE POETS OF THE HUMAN FACE”
Thomas Gainsborough was ten years older than Rokotov. He was born in 1727 in the charming corner of East Anglia, Sudbury in Suffolk. Tom was the ninth child in the family of a cloth merchant, the genus of which belonged to the native inhabitants of the town. From her mother, who wrote flowers pretty well, Tom inherited a talent for drawing. During his school years, the boy ran into the picturesque surroundings of the town to capture the magnificent green of the meadows, the quiet bend of the river, the lonely trees. It is noteworthy that Gainsborough himself considered himself a landscape painter. At thirteen, he moved to London, where he first found himself in a silversmith’s workshop. Here the teenager became interested in modeling. Continue reading
RUSSIAN CLASSICS FROM THE CHELYABINSK MUSEUM OF ARTS
The restoration of the Chelyabinsk Art Gallery began in 1946; its second birth took place on February 2, 1952 in a building in the style of rational modernism, built according to the design of architect A.A. Fedorov. It is interesting to note that during the restoration period, the opening of a branch of the State Tretyakov Gallery in Chelyabinsk was seriously discussed, and this building was chosen as the most appropriate art museum for its parameters and location in the city. Continue reading